RIKON REVIEW: NEXT FALL

ARTS AND ENTERTAINMENT BY IRV RIKON

PLAY REVIEW: NEXT FALL BY GEOFFREY NAUFFTS AT BOCA'S CALDWELL

Two men of slighty different generations meet and move in together as lovers. The younger man is religious. The older is not. Several other people engage them: a sympathetic female friend; a less sympathetic male lover; parents of the younger man. Their story is told by Geoffrey Nauffts in his Tony-nominated play, Next Fall, which is now being produced by the Caldwell Theatre Company in the Count de Hoernle Theatre in Boca Raton.

The story is basic, but the playwright peppers it by raising several thorny religious questions. Some examples: The younger man prays a lot: could a devout "gay" be admitted into heaven? Is there life after death? And he sweetens his plot with some light banter.

Assessing this play is not easy, mainly for the reason it's hard to get inside the playwright's head and know where he really wants to take us. The work is set in "various locations in New York City from 2004 - 2009". But there are multiple scenes that change quickly, no doubt to give the stagework a motion picture-type flow, yet despite the gallant efforts of the technical staff headed by Tim Bennett and Thomas Salzman, Scenic and Lighting Designer respectively, the locales and dates sometimes fail to register as quickly in one's mind. This is emphasized by the fact the play is promoted as a "comedy-drama", and the scenes careen without warning from funny to deadly serious. So much so that in viewing it the play sometimes reminded my of Neil Simon's The Odd Couple. In this case, their different attitudes towards religion lends them the oddness, and as in the Neil Simon offering, one of these men is a hypochondriac, a ready source of humor. But whereas Mr. Simon in his early career wrote slice-of-life comedies, the situation Mr. Nauffts presents is not comic except that he stretches to make it so, and the one-liners to me seem out of place. A bit more affection, fewer laughs and less jerky motions in the playscript woud help this play a lot.

Michael Hall, the Caldwell Theatre's co-founder and Artistic Director until he semi-retired late season, returns to direct this production, and he does so with aplomb. The cast, headed by Tom Wahl and Josh Canfield, is fine. For the most part, Mr. Wahl dominates when he's onstage.

The production runs through March 27. For tickets and reservations, telephone 561-241-7432 or online: www.caldwelltheatre.com.

RIKON REVIEW: JOLSON AT THE WINTER GARDEN AT THE MALTZ THEATER

ARTS AND ENTERTAINMENT BY IRV RIKON

JOLSON AT THE WINTER GARDEN! IS AT THE MALTZ

If you're old enough to have loved Al Jolson, you can see and hear Mike Burstyn portray him at the MALTZ JUPITER THEATRE in a vehicle entitled Jolson At the Winter Garden! Mr. Burstyn, New York born but one of Israel's most beloved artists, sings virtually all the famous songs associated with the self-styled "World's Greatest Entertainer". Created and written by Mr. Burstyn and Bill Castellino, who was also one of the creators of Cagney, this is not quite a concert, nor does it have a "book". It could be a one-man show with musicians, but it isn't that either. Three back-up singers accompany him, and one briefly acts as "Ruby," who was actually Ruby Keeler, a major star in her own right, a fact ignored here. What you get are songs like "Swanee," "Rockabye Your Baby," "Toot Toot Tootsie," "April Showers," "Sitting on Top Of the World," "Sonny Boy" and "My Mammy". In his day, Jolson turned all of these, and more, into big hits.

For those of you who are younger, Al Jolson appeared in the first "talking" motion picture, The Jazz Singer, in which he played the son of a Jewish cantor, as he was in real life, who aspired to be a "showbusiness" entertainer. The movie caused a sensation, and suddenly "talkies" were in. Two films were made about him, The Jolson Story and Jolson Sings Again, both starring Larry Parks. A clip of Parks as Jolson opens this show. It's from the films and his recordings that I know Jolson; he was slightly before my time. On the other hand, my parents thought he was great.

Looking back, Al was sort of the Elvis of his day. He swiveled his hips, mostly from side to side, and he moved about in a dynamic way that gave him sensual as well as dramatic attention. He came to public notice in the days of vaudeville, so that unlike performers of today, he could project and be heard in a big theater like New York's Winter Garden without the use of a microphone.

As I've noted, this show is mainly a compilation of songs, which Mr. Burstyn sings serviceably, although to my own tastes, he rather lacks some of the charisma I was hoping to find. Anyway, most of these songs you won't hear anyone else sing but Jolson, and I found myself humming, even dancing to some of them, long after I came home.

The show runs through March 13. For tickets and additional information, telephone 575-2223 or online www.jupitertheatre.org.

Clubhouse Dances & Shows March 2011

Clubhouse Dances & Shows February 2011

click to enlarge

DELEGATE ASSEMBLY - FEBRUARY 4, 2011

DELEGATE ASSEMBLY FEBRUARY 4, 2011

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Thanks to the Channel 63 team.

Dave Israel
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THE VILLAGE REPORT WITH DAVID SAXON - January 19, 2011

VILLAGE REPORT WITH DAVID SAXON - January 19, 2011 from David B Israel

Hi all,
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Thanks to your Channel 63 Team for the video.

Dave Israel
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Review by Irv Rikon: THE SOUND OF MUSIC

ARTS AND ENTERTAINMENT BY IRV RIKON

PLAY REVIEW: THE SOUND OF MUSIC AT MALTZ JUPITER THEATRE

On opening night, during the intermission of The Sound of Music at the MALTZ JUPITER THEATRE in Jupiter, a colleague of mine greeted me. "How are you liking the show?" "I really like it," I said. I think he then noticed the teardrop that had fallen to my cheek, so he found an excuse to move on.

The Sound of Music, with book by Howard Lindsay and Russell Crouse, two longtime Broadway standard-bearers, is of course one of the great Richard Rodgers-Oscar Hammerstein II musicals. Commentators have noted that the names of a few of the best writers of classic musicals, like Rodgers and Hammerstein, Lerner and Loewe, Andrew Lloyd Webber, are generally headlined above the show or the stars. In other words, people turn out to see a Rodgers and Hammerstein show because they love Rodgers and Hammerstein shows.

Of course, not everyone shares that feeling. Tastes change. The colleague noted above, much younger than I, is of a generation that generally favors rock and roll or rap music over Richard Rodgers' beautiful melodies or Oscar Hammerstein's poetic words. Even when The Sound of Music was first produced in 1959, with Mary Martin and Theodore Bikel starring, some reviewers criticized it for being "too sentimental." Part of the problem nowadays, it seems to me, is that sentiment has for too long been out of fashion. And perhaps a problem relating to this show specifically is that modern audiences tend to forget the plot is based on a true story.

The play opens in a convent. Nuns sing a hymn and a little song about Maria, who is one of them, but something of a free spirit. "How do you hold a moonbeam in your hands?" they ask. Meanwhile, a widower, a World One hero named Captain Georg von Trapp, has many children and a need for someone to help take care of them. He appeals to the nuns for help. Maria is sent to his home to do the job. The captain is a disciplinarian, befitting a military man. He's also engaged to be married anew. But what really sets him apart is that in his native Austria, he's anti-Nazi; Germans want to occupy his country, and most of the people around him favor it.

Maria charms the children, teaches them to sing, teaches them, one might say, to love, at least to love their father. With time, Maria also charms the Captain, but a misunderstanding finds her back once more in the convent.

Yes, they eventually come together, fall in love and marry, yet most of Act Two is concerned with the Nazis and the threat they pose. As a War hero, the German Nazis want von Trapp to work with Hitler's Third Reich. His conscience will not allow that. He and Maria agree they will have to leave their home, flee the country they love and find a sanctuary somewhere. How they go about doing this with their children is much the subject of Act Two. To me, the need to survive is hardly mere sentimentality.

I do really like the show. I have always liked it. And this production is just fine. True, Catherine Walker as Maria is not Mary Martin or Julie Andrews, who played the role in the motion picture, yet after a while she won me over, too. She's probably closer to the actual Maria than the two better-known stars. Michael Sharon as the Captain doesn't miss a step. He's good. The cast is the largest the Maltz Theatre has ever assembled, with assorted children and Nazis turning the whole thing into an ensemble show. To the theater's credit, it has an actor's training school, and the students in this production have every right to be very proud of themselves. Kudos to everyone in the cast! And kudos to Marc Robin, who directed and choreographed. Considering the limited budget the Maltz must have, the production is quite lavish: lots of costume changes, notable sets achieved with terrific carpenters, light and sound crews and computers.

Don't expect this to be the movie, which was shot on location in Austria. Enjoy what's here, and most emphatically, enjoy the sounds of Rodgers and Hammerstein. Also, trust me: it's okay to laugh and shed a tear or two.

Closing date is January 30. As I've written previously, the Maltz has turned itself into a mini-Kravis Center. Many "limited engagements," childrens' programs and other activities are to be seen and heard. For tickets and additional information, telephone 575-2223 or online: www.jupitertheatre.org.

Review by Irv Rikon: CLYBOURNE PARK

ARTS AND ENTERTAINMENT BY IRV RIKON

PLAY REVIEW: CLYBOURNE PARK: IS IT CENTURY VILLAGE?

CLYBOURNE PARK, produced by the CALDWELL THEATRE COMPANY in the Count de Hoernle Theatre in Boca Raton, is a comedy-drama with which longtime Century Village residents can readily identify. So can people of London, where Bruce Norris's play won the Best Play Award in 2010. So can people of New York City and Chicago, where the play is set, Act One taking place in a "modest three-bedroom bungalow" in 1959 and Act Two occurring in the same location fifty years later.

Clybourne Park, which was in the running for a 2010 Pulitzer Prize here in America, is about the process of change. Neighborhoods change. Century Village began as a retirement community where, by accident or design, mostly Jewish families came to retire. Predominantly from the northeast or midwestern United States, they left behind children and other family members to live with folks their own age. Now, fifty years later, the community is quite mixed, many newcomers having come from European or Caribbean countries or from Canada. Quite a few have families close by, but the central point here is that their cultural backgrounds differ from that of the original settlers. And there are, in today's terms, underlying "culture wars."

Something quite similar happens in Clybourne Park. In 1959, a family in an all-white neighborhood sells its home to a black couple. Trouble rears its ugly head. A local bigot says, among other things, in essence, "They're not like us," and "Maybe you can walk away from here. It won't matter to you what goes on here, but our property values will go down, and the neighborhood will decline."

Playwright Norris also says, in essence, "The more things change, the more they stay the same." In 2009, Clybourne Park hasn't necessarily declined, but the now-integrated community is fighting a developer who wants to build high-rises on their land. The essential argument: "There goes the neighborhood!" Meanwhile, underneath it all, racial tensions exist.

Lurking in the background, yet much at the core of Clybourne Park, is another theme: Why did the original home seller want to leave his community? He had a son who fought in the Korean War, who came home, committed an anti-social act, was damned by his neighbors for it and later hanged himself in an upstairs bedroom. The father has never gotten over this. He blames himself for the tragedy. He blames the government for sending his son to war. He blames the neighbors. In his soul, he hates. And he sells his property because of the memories that still haunt him.

Mr. Norris spoke with Clive Cholerton, Artistic Director of the Caldwell and the Director of this play. Mr. Cholerton records part of that conservation in his program notes. Here's the playwright speaking: "We still have these two wars going on, and it begins to dawn on me, perhaps it isn't a black/white thing. Maybe it's just that humans are innately territorial and everything is just an outgrowth of that. Regardless of the war -- Korea, Vietnam, gang warfare, or a bidding war for a single family home -- human beings, on some level, instinctively desire to defend their turf while at the same time want to exert dominance over another."

What if he's right? "The more things change --"

Withal, Clybourne Park is at times very funny. One cannot help but laugh. The ensemble cast of eight is terrific: Note especially veterans Kenneth Kay and Margery Lowe. The technical staff, headed by the always reliable Tim Bennett, does things just right. The trunk, the play's umbilical cord, which I've not previously mentioned, almost steals the show. A real thought-provoking play, this one. Go see it. Closing date is February 6.

February 20-March 27, see Next Fall, a comedy-drama by Geoffrey Nauffts. The CALDWELL also has a "Story-Telling Series" and luncheon discussions of ongoing productions. For tickets and additional information on all these activities, telephone 1-877-245-7432 or online: www.caldwelltheatre.com.

DELEGATE ASSEMBLY - JANUARY 07, 2011

DELEGATE ASSEMBLY - JANUARY 07, 2011

Thanks to the Channel 63 team for the Delegate Assembly video.
Click on the icon to the left of "vimeo" in the Flash player frame to go to full screen.

Dave Israel.
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Review by Irv Rikon: FREUD'S LAST SESSION at Palm Beach Dramaworks

ARTS AND ENTERTAINMENT BY IRV RIKON

PLAY REVIEW: FREUD'S LAST SESSION AT PALM BEACH DRAMAWORKS

Freud's Last Session, by Mark St. Germain, to be seen at PALM BEACH DRAMAWORKS' current home on Banyan Street in West Palm Beach, is a short, well-crafted one-act play. It takes place in Sigmund Freud's study in London during the opening days of World War Two, specifically, September 3, 1939. Freud, world-renowned father of psychoanalysis and author, has fled from his home in Austria to escape the Nazis. Born Jewish and persecuted for it, Freud has become an atheist.

To his home comes a visitor, youthful C.S. Lewis, a British professor who was an atheist and has now formally converted to Christianity. In time, long after the events of this day have passed, Lewis would be recognized as a highly prolific author of books, both fiction and non-fiction, primarily on the subject of Christianity. He was a popularizer of Christian thought.

Unfortunately, I have to interject a bit of myself into this play review. Although I'm an Arts and Entertainment writer and have been so for some 40-odd years, I am primarily an educator and lecturer. Among subjects I have taught and continue to teach are all the Great Religions.

For me, then, this play, viewed as a debate between two great intellectuals, is frankly superficial. If you want a contemporary atheist's view of life and deity, read Stephen Dawkins, prominent scientist turned atheist-popularizer. Supporters of religious faith would do well to read the books of Karen Armstrong, former nun who determined she could be of more use to God by leaving the convent and working outside the church. She writes, as I teach, on all religions.

The play is very well directed by William Hayes and is very well acted by Dennis Creaghan as Freud and Christopher Oden as Lewis. Mr. Creaghan is much better served by the playwright's script. Freud is dying of cancer, coughing, spitting up blood; his impending death and the bombing of wartime London are the play's dramatic highlights, the play being otherwise a verbal joust. As it is, all Lewis can do is sympathize and offer help to his poor host.

It should be noted that following World War Two's Holocaust, in which six million Jews were killed, many survivors became atheists. How could it happen? How could a good and just God allow it to happen? During the Cold War period, a similar thing happened in Cambodia, a country where almost all the people are Buddhists. Following The Killing Fields, where Pol Pot's Khymer Rouge slaughtered one million of their own countrymen, many survivors came to doubt God's existence.

Yet to this day countless millions of believers in God across the globe find comfort, inspiration, hope and joy in their belief. Sociologists have determined that those who do believe tend to live longer than those who doubt. Many believers are passionate in their belief. I don't mean militant. I mean, to use a religious term, they feel God with "heart and soul."

Lack of passion on the part of C.S. Lewis is what I most find lacking in Mr. St. Germain's play-script.

Freud is dying. He's suffers great physical pain and emotional stress. The world to him understandably looks bleak, and he lets that be known. But where is C.S. Lewis to state the counter-argument that no matter how dark the world may appear, there is light yet to come? I'm not arguing Lewis' case here. But if his play is to be balanced, the playwright should just as passionately argue the case for God as well as he does the case for God's absence.

I think that most audiences will like the play as it stands. I like this production: I could fall in love with Michael Amico's set design -- but I find the play somewhat disturbing for the things it doesn't say.

The play runs through February 6. For tickets and additional information about this and forthcoming plays, the popular Master Playwright Series and other events, telephone 514-4042 or online: www.palmbeachdramaworks.org.

2011 REPORTER ISSUES

• JANUARY 2011
• FEBRUARY 2011
• MARCH 2011
• APRIL 2011
• MAY 2011
• JUNE 2011
• JULY 2011
• AUGUST 2011
• SEPTEMBER 2011
• OCTOBER 2011
• NOVEMBER 2011
• DECEMBER 2011
  

INSURANCE EMERGENCY MEETING - 23 DECEMBER, 2010

UCO INSURANCE MEETING - 23 DECEMBER, 2010 from David B Israel

Video courtesy of your Channel 63 team

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Review by Irv Rikon: GOLDIE, MAX AND MILK at Florida Stage

ARTS AND ENTERTAINMENT BY IRV RIKON

PLAY REVIEW: GOLDIE, MAX AND MILK AT FLORIDA STAGE

Let's say this for Goldie, Max and Milk: The World Premiere Play by Karen Hartman currently at FLORIDA STAGE in its new KRAVIS CENTER home has subject matter as contemporary as one gets in the American theater.

Max (Erin Joy Schmidt) is a single mother, a Brooklyn, New York lesbian who has just given birth and is having trouble nursing. (That's "milk".) The hospital arranges for Goldie (Deborah Sherman) to advise her. Goldie is an "Orthodox Jewish lactation specialist," (something I confess I never knew existed until I saw this play.) Max is unemployed. Her house is falling apart. Her ex-lover, Lisa, (Carla Harting) has left her, having decided she wants to go "straight". Lisa's brother Mike, who earns his living by selling illegal drugs, (David Hemphill) has fathered Max's baby. Goldie, meanwhile, has a daughter, Shayna (Sarah Lord,) who is tempted both by Max and her life-style and the substance sold by Mike.

Obviously, the opportunity for conflict in this play is almost everywhere. The playwright and Director Margaret Ledford emphasize the conservative perspective by having Goldie be as strict, stern and disapproving as she can be. The liberal view has Lisa returning and stressing that she still feels strong love for Max (and her newborn.) Plus, young Shayna has a predisposition for Max and Mike's wares.

This is a curious play that will surely have both supporters and detractors. (I liked it for what it is, a portayal of life in one segment of society. My Significant Other did not.) My principal objection, and it's rather a strong one, is that the Jewish woman is portrayed as being totally inflexible, making her seem at all times unsympathetic. (She could as easily have been a Catholic or Protestant woman. Max, Lisa and Mike are Christian.) How or why Goldie's daughter came to be what she is also deserves further description from the playwright. (Do teenagers just walk into a stranger's home and immediately adapt to this new, totally different environment?) In fact, none of the characters are sufficiently fleshed out. This is at bottom a television soap opera or situation comedy, an installment of which will have some viewers anxiously awaiting the next episode and others switching to another channel. A word of caution: The play, which is well produced, is for mature adults.

Closing date is January 16. The 5th Annual 1st Stage New Works Festival, readings of some carefully chosen playscripts written by contemporary writers, takes place February 3 - 6. Ghost-Writer, a new play by Michael Hollinger, concerning the questionable authorship of a great new novel, runs March 2 - April 3. For tickets and additional information telephone 585-3433 or online: www.floridastage.org).

ANDOVER CONDOMINIUM DOCUMENTS - SEARCHABLE

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Amendment to Declaration and Lease: Book 5224 Page 366 March 31, 1987: http://goo.gl/8nVlr
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Amendment to Declaration: Book 7085 Page 1332 January 13, 1992: http://goo.gl/zMF5f
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Ammendment to Declaration: Book 7195 Page 69 April 09, 1992: http://goo.gl/6SyAd
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Amendment to Declaration: Book 9116 Page 703 February 08, 1996: http://goo.gl/zaRJb
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Amendment to Declaration: Book 9116 Page 704 February 08, 1996: http://goo.gl/Epatw
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Amendment to Declaration: Book 9116 Page 705 February 08, 1996: http://goo.gl/0vWjr
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Amendment to By-Laws: Book 9116 Page 706 February 08, 1996 : http://goo.gl/Aq2Hs
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Amendment to Declaration Book 9116 Page 707 February 08, 1996 http://goo.gl/zP5mq
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Amendment to Declaration Book 11724 Page 221 April 18, 2000 http://goo.gl/fswkb
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Amendment to Declaration Book 16680 Page 592 March 17, 2004 http://goo.gl/81oOc
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Amendment to Declaration Book 23757 Page 1587 March 24, 2010 http://goo.gl/Fl6HD

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Amendment to Declaration: Book 2870 Page 936, June 02, 1978: http://goo.gl/DAGuY
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Amendment to Declaration: Book 5224 Page 367 , March 31, 1987: http://goo.gl/ntTMt
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Amendment to Declaration: Book 5998 Page 116 , March 15, 1989: http://goo.gl/vCnDQ
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Amendment to Declaration Book 6612 Page 1727 , October 17, 1990 http://goo.gl/JD6ru
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Amendment to Declaration Book 11724 Page 227 , April 18, 2000 http://goo.gl/3aKPZ
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Amendment to Dclaration & By-Laws Book 11736 , Page 280 , April 24,2000 http://goo.gl/Hcfze
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Original Declaration, Bylaws, Survey, Long Term Lease: Book 1912 Page 919: July 07, 1971: http://goo.gl/nQuXz
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Amendment to Declaration and Lease: Book 5224 Page 368: March 31, 1987: http://goo.gl/lUiAG
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Amendment to Declaration: Book 5986 Page 49 March 03, 1989: http://goo.gl/BYSQp
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Amendment to Declaration Book: 8991 Page 1019 March 09, 1989: http://goo.gl/1usun
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Amendment to Declaration Book 8348 Page 1985 Sept. 26, 1994: http://goo.gl/rTw0p
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Amendment to Declaration Book 9616 Page 916: January 16, 1997: http://goo.gl/TbvtE
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Amendment to Declaration and By-laws Book 11503 Page 1032: December 13, 1999: http://goo.gl/7hTWF
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Amendment to Declaration Book 11724 Book 233 April 18, 2000: http://goo.gl/QIZAh
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Amendment to Declaration Book 12433 Page 511 April 05, 2001: http://goo.gl/UjaGm
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Schedule of Amendments to Declaration Book 21777 Page 964 May 29, 2007: http://goo.gl/y0aew
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Original Declaration, By-Laws, Survey, Long term Lease Book 1910 Page 733, June 28, 1971 http://goo.gl/vWvbt
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Amendment to Long Term Lease Book 3298 Page 1659, May 28, 1980: http://goo.gl/Kc1Cx
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Amendment to Declaration & By-Laws Book 4515 Page 1044 April 11, 1985: http://goo.gl/X8801
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Amendment to Covenants & Restrictions Book 5169 Page 131 Feb. 09, 1987: http://goo.gl/QUjta
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Amendment to Declaration & Lease Book 5224 Page 369 March 31, 1987: http://goo.gl/L8a6K
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Amendment to Declaration Book 5993 Page 805 , March 10, 1989: http://goo.gl/PszDh
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Amendment to Declaration Book 7130 Page 574 , Feb. 24, 1992: http://goo.gl/kXL5e
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Amendment to By-Laws Book 8862 Page 1457 , Aug. 04, 1995: http://goo.gl/71vD9
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Amendment to Declaration Book 11724 Page 239 , April 18, 2000: http://goo.gl/k3TUO
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Amendment to Declaration & By-Laws Book 15129 Page 105 , April 28, 2003: http://goo.gl/iZf26

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Amendment to Declaration & By-Laws Book 2870 Page 942 , June 02, 1978: http://goo.gl/nVod2
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Amendment to Declaration & By-Laws Book 4515 Page 1042 , April 11, 1985: http://goo.gl/dcvma
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Amendment to Declaration & Lease Book 5224 Page 535, March 31, 1987: http://goo.gl/qWplj
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Amendment to Declaration Book 5993 Page 807, March 10, 1989: http://goo.gl/4ydne
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Amendment to Declaration Book 7085 Page 1335 , Jan. 13, 1992: http://goo.gl/XClpG
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Amendment to By-Laws Book 916 Page 540 , March 22, 1996: http://goo.gl/RBHsc
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Amendment to Declaration Book 11724 Page 245 , April 18, 2000: http://goo.gl/6Js3N
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Amendment to Declaration & By-Laws Book 15129 Page 108 , April 28, 2003: http://goo.gl/Zyc9H
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Original Declaration of Condominium Book 1920 Page 1324 , Aug. 04, 1971: http://goo.gl/ga4Om
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Amendment to Declaration & By-Laws Book 2870 Page 945 , June 02, 1978: http://goo.gl/rIrDR
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Amendment to Declaration & Lease Book 5224 Page 370 , March 31, 1987: http://goo.gl/j5pkR
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Amendment to Declaration Book 6008 Page 1562 , March 24,1989: http://goo.gl/WRidI
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Amendment to Declaration Book 7085 Page 1355 , Jan. 13, 1992: http://goo.gl/KNeZL
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Amndment to Declaration Book 10098 Page 1006 , Nov. 21, 1997: http://goo.gl/Exec9
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Amendment to Declaration & By-Laws Book 11577 Page 1244 , Jan. 26, 2000: http://goo.gl/Ka1zH -

Amendment to Declaration Book 11724 Page 251 , April 18, 2000: http://goo.gl/PqZkb
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Original Declaration of Condominium Book 1920 Page 1370 , Aug. 04, 1971: http://goo.gl/fUAtCC
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Amendment to Declaration & By-Laws Book 4567 Page 1808 , June 10, 1985: http://goo.gl/F3XlK
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Amendment to Declaration & By-Laws Book 5098 Page 45 , Dec. 08, 1986: http://goo.gl/p7yDv
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Amendment to Declaration & Lease Book 5224 Page 371 , March 31, 1987: http://goo.gl/4TCAa
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Amendment to Declaration Book 6001 Page 483 , March 17, 1989: http://goo.gl/qWyFR
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Amendment to Declaration Book 8452 Page 1370 , Sept. 05, 1994: http://goo.gl/nFWRa
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Amendment to Declaration Book 11532 Page 1565 , Dec. 29, 1999: http://goo.gl/BUnus
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Amendment to Declaration Book 11724 Page 257 , April 18, 2000: http://goo.gl/izgmq
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Amendment to Declaration & By-Laws Book 12395 Page 405 , March 21, 2001: http://goo.gl/QxVgh
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Original Declaration to Condominium Book 1931 Page 338 , Sept. 09, 1971: http://goo.gl/RUQI5
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Amendment to Declaration & By-Laws Book 2870 Page 948 , June 02, 1978: http://goo.gl/dXgZ7
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Amendment to Declaration & Lease Book 5224 Page 536 , March 31, 1987: http://goo.gl/02S6t
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Amendment to Declaration Book 5996 Page 1070 , March 14, 1989: http://goo.gl/4UaeG
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Amendment to Declaration Book 6640 Page 1951 , Nov.13, 1990: http://goo.gl/BhW0R
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Amendment to Declaration Book 11724 Page 263 , April 18, 2000: http://goo.gl/oNQHB
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Original Declaration to Condominium Book 1931 Page 385 , Sept. 09, 1971: http://goo.gl/ekeSg
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Amendment to Declaration By-Laws, Book 2870 Page 951 , June 02, 1978: http://goo.gl/1Jm1X
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Amendment to Declaration Lease, Book 5224 Page 537 , March 31, 1987: http://goo.gl/NL7dC
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Amendment to Declaration Book 5994 Page 1743, March 13, 1989: http://goo.gl/229ss
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Amendment to Declaration Book 7130 Page 576 , Feb. 24, 1992: http://goo.gl/WclMQ
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Amendment to Declaration Book 8276 Page 1458 , May 25, 1994: http://goo.gl/HdVfw
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Amendment to By-Laws Book 8276 Page 1460 , May 25, 1994: http://goo.gl/4zP5M
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Andover J
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Amendment to Declaration Book 6514 Page 1776 , July 12, 1990: http://goo.gl/QunoG
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Amendment to Declaration & By-Laws Book 15129 Page 99 , April 28, 2003: http://goo.gl/IId4h
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Andover K
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Andover L
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Andover M

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DELEGATE ASSEMBLY - DECEMBER 03, 2010

DELEGATE ASSEMBLY - DECEMBER 03, 2010

Video thanks to the Channel 63 Team. Click on icon just left of vimeo to go to full screen.
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Dave Israel
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Clubhouse Dances & Shows January 2011

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Clubhouse Movies January 2011

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Clubhouse Movies December 2010

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Clubhouse Shows & Dances December 2010

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CV TRAFFIC CONTROL AGREEMENT

LEFT CLICK TO ENLARGE AND PRINT

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Dave Israel

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